The Simpsons Episode 8x10 - The Springfield Files
Urban clearance of terraced streets. Newcastle upon Tyne. UK.
Stealing Moments on Set with @simonchaudoir
To see more playful portraits, follow @simonchaudoir.
The Instagram photos of a fellow film director first inspired Simon Chaudoir’s (@simonchaudoir) playful, sometimes macabre, portraits. “For a long time I had the image in my mind of myself lying on a studio floor having been crushed by a falling lamp,” explains Simon, who leads a harried, globetrotting life directing music videos and commercials. “It expressed something that I felt about my working life. I realized that Instagram gave me the platform to explore such images.”
With filmmaking equipment and backdrops at his disposal, Simon crafts jarring photos that draw from elements of Renaissance paintings, surrealist photography and the avant-garde. “Way, way, back I studied Fine Art,” says Simon of his university years. “This was the first time since then that I had the pleasure of producing something purely for my own pleasure and amusement.”
“Sometimes when I accept a job, knowing the equipment that’s going to be used and the people involved, I’ve already conceived what the picture of the day will be,” he says. But the photos themselves tend to come together quickly. “All my pictures are taken in snatched moments when I am working for other people,” he says, “lunch-breaks, lulls in shooting or when we wrap.”
'Come As You Are' By Mert Alas + Marcus Piggott For W Magazine.
More examples with descriptions: Terrifying, Century-Old Photographs from Neuroscience Experiments
An 1862 monograph by pioneering French neurologist Guillaume-Benjamin-Amand Duchenne de Boulogne (1806-1875) is full of disturbing photos of human subjects. Using electrodes, the scientist triggered muscular contractions in their faces. You know, for science.
The scientist was trying to figure out whether there was some kind of evolutionary basis for facial expressions, so he would shock various parts of his subjects’ faces to see if he could regularly induce certain expressions.
Founded in Denmark, the Human Library is a project that lets members “check out” people. Its purpose is to eliminate prejudice and promote conversations between people from all walks of life. Source
Found Typologies: Bernd and Hilla Becher’s Photographs of Industrial Architecture
German conceptual artists Bernhard “Bernd” Becher and Hilla Becher, who worked together as a collaborative duo, are perhaps best known for their extensive series of photographic images of industrial buildings and structures. The images were often organized in grids according to a particular “typology,” such as water towers, grain elevators, coke ovens, and warehouses. In displaying what might typically be considered “banal” or lacking in design, the Becher’s elevated industrial architecture to subject worthy of formal aesthetic and artistic consideration. The photographs also bring light to an architectural ecosystem based on the production and transformation of energy that is paradoxically both hidden and ubiquitous. The Bechers would go on to influence generations of documentary photographers and artists as the founders of what has come to be known as the ‘Becher school.’
"AT LAST STREET CRED IS MINE!"
These are five of the seven pictures Dorothea Lange took of Florence Thompson in Nipomo, Calif. in February, 1936. Thompson was a pea-picker and mother of seven children. Ever since Lange took her iconic photograph of Thompson — shown above in the best-known form, and at bottom in un-modified form (note the thumb in the lower right) — she’s been known as the Migrant Mother. These are five of the seven known Lange photographs of Thompson. Each is in the collection of the Library of Congress.
Tonight most PBS stations will premiere an "American Masters" documentary on the life and work of Dorothea Lange. Titled "Dorothea Lange: Grab a Hunk of Lightning," the film looks at Lange’s life from her upbringing outside New York City, to her emergence as a major American photographer. Lange is best-known for her work chronicling the Dust Bowl era, but her oeuvre includes much more, including pictures of Depression-era labor strife, the internment of Japanese-Americans and early environmentalist documentary photography. Such was Lange’s stature that just after she died in 1966 the Museum of Modern Art devoted just its sixth retrospective of a photographer’s career to her work.
Taylor was the lead guest on last week’s Modern Art Notes Podcast. She and host Tyler Green discussed the documentary and Lange’s life and work.